It's red lights' throbbing glow
soaked into a bandaged night
as I spied
through two frames
the face of a woman faintly
pushing fog against the pane
of her mask.
Her breath flowed in waves,
blossomed like frost,
as her eyes, bobbled
to each spoken statistic
which hovered,
ephemeral and lucid,
in an ever-expanding haze.
I followed them for some time
through a neighborhood
shaped like a grate
till we reached a small embankment
and, with the utmost reverence,
they lowered her into the numbing arms
of the river, lighting the stretcher on fire.
It burned like a hearth.
I knelt in the tire tracks,
back to the flames,
and tried to make out shapes
in my billowing words.
6.27.2010
6.23.2010
That's Not How You Do A Knife Fight
I thought we had to light candles,
shake hands and say the magic words;
then drink the blood of a recently deflowered
high-school dropout, spitting the last drops over
each others shoulders simultaneously to ward away
hurt feelings. Then the crowd would cheer and sing
the chorus of some ancient opera while we stare into the depths
of our opponent's blades, savoring the moment like the fine scotch.
There should have been music: heavy on the brass and violins like murder;
a crescendo as I nearly missed his jugular, leaving my soft body unprotected.
There should have been a crowd, spaced evenly in a circle, all holding hands
and thirsty for blood,
but instead there were two people circling each other;
one with a gun, the other with a roll of quarters clenched between his teeth,
carrying a motorized scooter that runs on honeycomb runoff with a belt
and one of those things you shouldn't handle without gloves and they just
circled each other, knifing the air, knifing the air without a care in the world.
shake hands and say the magic words;
then drink the blood of a recently deflowered
high-school dropout, spitting the last drops over
each others shoulders simultaneously to ward away
hurt feelings. Then the crowd would cheer and sing
the chorus of some ancient opera while we stare into the depths
of our opponent's blades, savoring the moment like the fine scotch.
There should have been music: heavy on the brass and violins like murder;
a crescendo as I nearly missed his jugular, leaving my soft body unprotected.
There should have been a crowd, spaced evenly in a circle, all holding hands
and thirsty for blood,
but instead there were two people circling each other;
one with a gun, the other with a roll of quarters clenched between his teeth,
carrying a motorized scooter that runs on honeycomb runoff with a belt
and one of those things you shouldn't handle without gloves and they just
circled each other, knifing the air, knifing the air without a care in the world.
6.19.2010
Over the Door
A tiger's stripes
tessellated
voluminously.
Its body wooden,
headless,
flecked white,
standing absently
in an ocean
of spotted gold
like a fraction
between the dim,
coarse night
and itself.
tessellated
voluminously.
Its body wooden,
headless,
flecked white,
standing absently
in an ocean
of spotted gold
like a fraction
between the dim,
coarse night
and itself.
6.13.2010
Nacre-Laquered Camera Obscura
Shades of blue
and blue and white:
a column
of ascending death
tangles a swath
of light, refracted
upwards as each peak
rejoins the swell,
churning, caressing
the rough face
of the coastal shelf.
Everything is difficult
to place, blurred as
in the first dewy waking
moments. I yell,
"focus," try to adjust
in the absence of bent light,
close one eye to flatten
the overlapping images,
but I am too taken
by my rainbow-tinted
screen to greet the chemical
taxis with our rhinoceros pores.
and blue and white:
a column
of ascending death
tangles a swath
of light, refracted
upwards as each peak
rejoins the swell,
churning, caressing
the rough face
of the coastal shelf.
Everything is difficult
to place, blurred as
in the first dewy waking
moments. I yell,
"focus," try to adjust
in the absence of bent light,
close one eye to flatten
the overlapping images,
but I am too taken
by my rainbow-tinted
screen to greet the chemical
taxis with our rhinoceros pores.
6.09.2010
The Gentle Bouncer
The gentle bouncer
lives in a house
full of probably ghosts
three-quarters of the time.
The other quarter
he is probably a ghost.
Select gifted people sense him
through vibes;
through the resounding floor boards
that bellow into a space
full of glass
full of space
and rain water.
lives in a house
full of probably ghosts
three-quarters of the time.
The other quarter
he is probably a ghost.
Select gifted people sense him
through vibes;
through the resounding floor boards
that bellow into a space
full of glass
full of space
and rain water.
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